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Sherman Alexie
2:59
sherman alexie
- I am here. Is anybody else here?
3:00
The New Yorker
- Hi Sherman! We're here and ready to go.
3:00
sherman alexie
- Great.
3:00
sherman alexie
- I have the ability to add video, audio, and such, but I have no clue. The tool bar is intimidating.
3:01
The New Yorker
- Let's not worry about that for now, Sherman.
3:01
sherman alexie
- My soundtrack for this chat is Neko Case's "Middle Cyclone."
3:01
sherman alexie
- Hi, Travis.
3:02
The New Yorker
- If only we could have a soundtrack. Anyway, let's kick this off. I'm Macy Halford, here with Jon Michaud and we're here to discuss "War Dances." Here's our first question for you.
3:02
The New Yorker
- Sherman, "War Dances" has an unorthodox structure—it includes stories, poems, lists, a catechism. Why did you bring these various elements together?
3:03
sherman alexie
- It is supposed to be a mix tape, a purposeful, if often tangential, work that uses very separate works to create a unified book.
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